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The match of IBIS and digital stabilization is effective but does crop the view of lenses, so you may want to add a gimbal, too.
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We expect many creators will add the $139.99 Sony GP-VPT2BT Bluetooth Shooting Grip and Tripod, a clever add-on that swaps forms between tabletop tripod and pistol-style grip. There's a tripod socket, of course, so you can lock the ZV-E1 down for static shots. The body is resistant to dust and splashes, and while Sony doesn't go as far as to assign it an IP rating, you can feel comfortable using it under gray skies. A decent-sized handgrip is included, along with a swing-out LCD for monitoring, supporting handheld use. The ZV-E1 doesn't look too much different than other viewfinder-free ILCs. The fp series is similarly video-minded, but has a more accessory-friendly cinema form factor where the fp is meant to be the starting point for a custom-built rig, the ZV-E1 is meant to get good results out of the box.Įven though the video features are at the forefront here, Sony opts for a mostly traditional form factor. We can point to the Sigma fp and fp L as the reasons for the stabilization caveat. Its frame makes the ZV-E1 the smallest stabilized full-frame camera out there. If you're on set and have access to a crew, the FX3's more extensible frame and active cooling system make better sense. The ZV-E1 is even more vlog-focused than its predecessors, as photo features take a back seat, and the form factor isn't as well-suited for straightforward cinema applications as an FX3 ($3,899.99). The series gets its name from its target audience, youthful Gen-Z content creators, and its intended use case, vlogging. The ZV-E1 is Sony's fourth ZV series camera. The ZV-E1 is the first made-for-vlogging camera to earn top marks and our Editors' Choice award. Its stabilized sensor is a boon for handheld work, and along with a clear-sounding mic it allows you to get great results without a boatload of accessories. The ZV-E1 ($2,199.99, body only) squeezes a stabilized full-frame sensor into a stunningly small body with a clear-sounding mic and plenty of AI features that expand what creators can do without the benefit of a crew. – Supports calibration and profiling of single and multiple displays.Sony continues to bet big on vlogging cameras, following up a spate of entry-level ZV series video specialists with its most capable made-for-YouTube model yet.
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– Measurement and reporting of ambient light and viewing booths, according to ISO 3664 und ISO 12646 (requires suited measurement device) – Validation of the calibration, with analysis results (graphical and numerical) Spectrophotometer: GL optic mini-spectrometer (Windows only), Instrument Systems CAS 140CT (Windows only), Konica Minolta FD-7/5, X-Rite Eye-One Pro, X-Rite Eye-One Monitor, X-Rite i1Pro 2, X-Rite ColorMunkiĭisplay Color Analyzer: Konica Minolta Display Color Analyzer CA-210
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– Support for all popular measurement instruments:Ĭolorimeter: basICColor DISCUS, basICColor SQUID, basICColor SQUID 2, basICColor SQUID 2 WG, basICColor SQUID 3, datacolor Spyder 2, datacolor Spyder 3, datacolor Spyder 4, datacolor Spyder 5, EIZO Swing, Monaco OPTIX XR, NEC SpectraSensor Pro, X-Rite DTP 94 USB, X-Rite Eye-One display, X-Rite Eye-One display 2, X-Rite Eye-One display 2 WG, X-Rite Eye-One display LT, X-Rite i1Display Pro – User selectable white point, black point, and contrast ratio – Linear L*, Gamma, sRGB, CIECAM02, HDTV, NTSC, REC 709, PAL/SECAM, DICOM and CIE LUT tonal response curves – Fully automated calibration and LUT creation for supported displays
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– Calibration and ICC Profiling software for computer displays (CRT, LCD, Laptop) and projectors
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